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Corporate Entertainment-Global Market Insights and Sales Trends 2025
Synopsis
Corporate entertainment is a term used for private events held by corporations or businesses for their staff or stakeholders.
The global Corporate Entertainment market size is expected to reach US$ 1069.7 million by 2029, growing at a CAGR of 4.9% from 2023 to 2029. The market is mainly driven by the significant applications of Corporate Entertainment in various end use industries. The expanding demands from the Under 25 Years, 25-55 Years and Over 55 Years,, are propelling Corporate Entertainment market. Conventions, one of the segments analysed in this report, is projected to record % CAGR and reach US$ million by the end of the analysis period. Growth in the Retreats segment is estimated at % CAGR for the next seven-year period.
The employees are increasingly preferring conventions as corporate entertainment as conventions provide a suitable platform for sharing information, knowledge, brainstorming, and finding solutions to issues in a more informal manner. Conventions enable the organizations to communicate relevant information to a large audience at the same time.
Report Objectives
This report provides market insight on the different segments, by players, by Type, by Application. Market size and forecast (2018-2029) has been provided in the report. The primary objectives of this report are to provide 1) global market size and forecasts, growth rates, market dynamics, industry structure and developments, market situation, trends; 2) global market share and ranking by company; 3) comprehensive presentation of the global market for Corporate Entertainment, with both quantitative and qualitative analysis through detailed segmentation; 4) detailed value chain analysis and review of growth factors essential for the existing market players and new entrants; 5) emerging opportunities in the market and the future impact of major drivers and restraints of the market.
Key Features of The Study:
This report provides in-depth analysis of the global Corporate Entertainment market, and provides market size (US$ million) and CAGR for the forecast period (2023-2029), considering 2022 as the base year.
This report profiles key players in the global Corporate Entertainment market based on the following parameters - company details (found date, headquarters, manufacturing bases), products portfolio, Corporate Entertainment sales data, market share and ranking.
This report elucidates potential market opportunities across different segments and explains attractive investment proposition matrices for this market.
This report illustrates key insights about market drivers, restraints, opportunities, market trends, regional outlook.
Key companies of Corporate Entertainment covered in this report include DNA Entertainment Networks, Eventive Marketing, Quintessentially Events, WPP, Cvent, Berkeley City Club, Eventbrite, Bassett Events and XING, etc.
The global Corporate Entertainment market report caters to various stakeholders in this industry including investors, suppliers, product players, distributors, new entrants, and financial analysts.
Market Segmentation
Company Profiles:
DNA Entertainment Networks
Eventive Marketing
Quintessentially Events
WPP
Cvent
Berkeley City Club
Eventbrite
Bassett Events
XING
Wizcraft
Global Corporate Entertainment market, by region:
North America (U.S., Canada, Mexico)
Europe (Germany, France, UK, Italy, etc.)
Asia Pacific (China, Japan, South Korea, Southeast Asia, India, etc.)
South America (Brazil, etc.)
Middle East and Africa (Turkey, GCC Countries, Africa, etc.)
Global Corporate Entertainment market, Segment by Type:
Conventions
Retreats
Office Parties
Others
Global Corporate Entertainment market, by Application
Under 25 Years
25-55 Years
Over 55 Years
Core Chapters
Chapter One: Introduces the report scope of the report, executive summary of global and regional market size and CAGR for the history and forecast period (2018-2023, 2024-2029). It offers a high-level view of the current state of the market and its likely evolution in the short to mid-term, and long term.
Chapter Two: Provides the analysis of various market segments by Type, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different market segments.
Chapter Three: Provides the analysis of various market segments by Application, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.
Chapter Four: Detailed analysis of Corporate Entertainment companies’ competitive landscape, revenue, market share and ranking, latest development plan, merger, and acquisition information, etc.
Chapter Five: Provides profiles of key players, introducing the basic situation of the main companies in the market in detail, including product introduction, revenue, recent development, etc.
Chapter Six, Seven, Eight, Nine and Ten: North America, Europe, Asia Pacific, Latin America, Middle East & Africa, revenue by country.
Chapter Eleven: this section also introduces the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by companies in the industry, and the analysis of relevant policies in the industry.
Chapter Twelve: Research Finding/Conclusion
Corporate entertainment is a term used for private events held by corporations or businesses for their staff or stakeholders.
The global Corporate Entertainment market size is expected to reach US$ 1069.7 million by 2029, growing at a CAGR of 4.9% from 2023 to 2029. The market is mainly driven by the significant applications of Corporate Entertainment in various end use industries. The expanding demands from the Under 25 Years, 25-55 Years and Over 55 Years,, are propelling Corporate Entertainment market. Conventions, one of the segments analysed in this report, is projected to record % CAGR and reach US$ million by the end of the analysis period. Growth in the Retreats segment is estimated at % CAGR for the next seven-year period.
The employees are increasingly preferring conventions as corporate entertainment as conventions provide a suitable platform for sharing information, knowledge, brainstorming, and finding solutions to issues in a more informal manner. Conventions enable the organizations to communicate relevant information to a large audience at the same time.
Report Objectives
This report provides market insight on the different segments, by players, by Type, by Application. Market size and forecast (2018-2029) has been provided in the report. The primary objectives of this report are to provide 1) global market size and forecasts, growth rates, market dynamics, industry structure and developments, market situation, trends; 2) global market share and ranking by company; 3) comprehensive presentation of the global market for Corporate Entertainment, with both quantitative and qualitative analysis through detailed segmentation; 4) detailed value chain analysis and review of growth factors essential for the existing market players and new entrants; 5) emerging opportunities in the market and the future impact of major drivers and restraints of the market.
Key Features of The Study:
This report provides in-depth analysis of the global Corporate Entertainment market, and provides market size (US$ million) and CAGR for the forecast period (2023-2029), considering 2022 as the base year.
This report profiles key players in the global Corporate Entertainment market based on the following parameters - company details (found date, headquarters, manufacturing bases), products portfolio, Corporate Entertainment sales data, market share and ranking.
This report elucidates potential market opportunities across different segments and explains attractive investment proposition matrices for this market.
This report illustrates key insights about market drivers, restraints, opportunities, market trends, regional outlook.
Key companies of Corporate Entertainment covered in this report include DNA Entertainment Networks, Eventive Marketing, Quintessentially Events, WPP, Cvent, Berkeley City Club, Eventbrite, Bassett Events and XING, etc.
The global Corporate Entertainment market report caters to various stakeholders in this industry including investors, suppliers, product players, distributors, new entrants, and financial analysts.
Market Segmentation
Company Profiles:
DNA Entertainment Networks
Eventive Marketing
Quintessentially Events
WPP
Cvent
Berkeley City Club
Eventbrite
Bassett Events
Wizcraft
Global Corporate Entertainment market, by region:
North America (U.S., Canada, Mexico)
Europe (Germany, France, UK, Italy, etc.)
Asia Pacific (China, Japan, South Korea, Southeast Asia, India, etc.)
South America (Brazil, etc.)
Middle East and Africa (Turkey, GCC Countries, Africa, etc.)
Global Corporate Entertainment market, Segment by Type:
Conventions
Retreats
Office Parties
Others
Global Corporate Entertainment market, by Application
Under 25 Years
25-55 Years
Over 55 Years
Core Chapters
Chapter One: Introduces the report scope of the report, executive summary of global and regional market size and CAGR for the history and forecast period (2018-2023, 2024-2029). It offers a high-level view of the current state of the market and its likely evolution in the short to mid-term, and long term.
Chapter Two: Provides the analysis of various market segments by Type, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different market segments.
Chapter Three: Provides the analysis of various market segments by Application, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.
Chapter Four: Detailed analysis of Corporate Entertainment companies’ competitive landscape, revenue, market share and ranking, latest development plan, merger, and acquisition information, etc.
Chapter Five: Provides profiles of key players, introducing the basic situation of the main companies in the market in detail, including product introduction, revenue, recent development, etc.
Chapter Six, Seven, Eight, Nine and Ten: North America, Europe, Asia Pacific, Latin America, Middle East & Africa, revenue by country.
Chapter Eleven: this section also introduces the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by companies in the industry, and the analysis of relevant policies in the industry.
Chapter Twelve: Research Finding/Conclusion
Index1 Market Overview of Corporate Entertainment
1.1 Corporate Entertainment Market Overview
1.1.1 Corporate Entertainment Product Scope
1.1.2 Corporate Entertainment Market Status and Outlook
1.2 Global Corporate Entertainment Market Size Overview by Region 2018 VS 2022 VS 2029
1.3 Global Corporate Entertainment Market Size by Region (2018-2029)
1.4 Global Corporate Entertainment Historic Market Size by Region (2018-2023)
1.5 Global Corporate Entertainment Market Size Forecast by Region (2024-2029)
1.6 Key Regions, Corporate Entertainment Market Size (2018-2029)
1.6.1 North America Corporate Entertainment Market Size (2018-2029)
1.6.2 Europe Corporate Entertainment Market Size (2018-2029)
1.6.3 Asia-Pacific Corporate Entertainment Market Size (2018-2029)
1.6.4 Latin America Corporate Entertainment Market Size (2018-2029)
1.6.5 Middle East & Africa Corporate Entertainment Market Size (2018-2029)
2 Corporate Entertainment Market by Type
2.1 Introduction
2.1.1 Conventions
2.1.2 Retreats
2.1.3 Office Parties
2.1.4 Others
2.2 Global Corporate Entertainment Market Size by Type: 2018 VS 2022 VS 2029
2.2.1 Global Corporate Entertainment Historic Market Size by Type (2018-2023)
2.2.2 Global Corporate Entertainment Forecasted Market Size by Type (2024-2029)
2.3 Key Regions Market Size by Type
2.3.1 North America Corporate Entertainment Revenue Breakdown by Type (2018-2029)
2.3.2 Europe Corporate Entertainment Revenue Breakdown by Type (2018-2029)
2.3.3 Asia-Pacific Corporate Entertainment Revenue Breakdown by Type (2018-2029)
2.3.4 Latin America Corporate Entertainment Revenue Breakdown by Type (2018-2029)
2.3.5 Middle East and Africa Corporate Entertainment Revenue Breakdown by Type (2018-2029)
3 Corporate Entertainment Market Overview by Application
3.1 Introduction
3.1.1 Under 25 Years
3.1.2 25-55 Years
3.1.3 Over 55 Years
3.2 Global Corporate Entertainment Market Size by Application: 2018 VS 2022 VS 2029
3.2.1 Global Corporate Entertainment Historic Market Size by Application (2018-2023)
3.2.2 Global Corporate Entertainment Forecasted Market Size by Application (2024-2029)
3.3 Key Regions Market Size by Application
3.3.1 North America Corporate Entertainment Revenue Breakdown by Application (2018-2029)
3.3.2 Europe Corporate Entertainment Revenue Breakdown by Application (2018-2029)
3.3.3 Asia-Pacific Corporate Entertainment Revenue Breakdown by Application (2018-2029)
3.3.4 Latin America Corporate Entertainment Revenue Breakdown by Application (2018-2029)
3.3.5 Middle East and Africa Corporate Entertainment Revenue Breakdown by Application (2018-2029)
4 Corporate Entertainment Competition Analysis by Players
4.1 Global Corporate Entertainment Market Size by Players (2018-2023)
4.2 Global Top Players by Company Type (Tier 1, Tier 2 and Tier 3) & (based on the Revenue in Corporate Entertainment as of 2022)
4.3 Date of Key Players Enter into Corporate Entertainment Market
4.4 Global Top Players Corporate Entertainment Headquarters and Area Served
4.5 Key Players Corporate Entertainment Product Solution and Service
4.6 Competitive Status
4.6.1 Corporate Entertainment Market Concentration Rate
4.6.2 Mergers & Acquisitions, Expansion Plans
5 Company (Top Players) Profiles
5.1 DNA Entertainment Networks
5.1.1 DNA Entertainment Networks Profile
5.1.2 DNA Entertainment Networks Main Business
5.1.3 DNA Entertainment Networks Corporate Entertainment Products, Services and Solutions
5.1.4 DNA Entertainment Networks Corporate Entertainment Revenue (US$ Million) & (2018-2023)
5.1.5 DNA Entertainment Networks Recent Developments
5.2 Eventive Marketing
5.2.1 Eventive Marketing Profile
5.2.2 Eventive Marketing Main Business
5.2.3 Eventive Marketing Corporate Entertainment Products, Services and Solutions
5.2.4 Eventive Marketing Corporate Entertainment Revenue (US$ Million) & (2018-2023)
5.2.5 Eventive Marketing Recent Developments
5.3 Quintessentially Events
5.3.1 Quintessentially Events Profile
5.3.2 Quintessentially Events Main Business
5.3.3 Quintessentially Events Corporate Entertainment Products, Services and Solutions
5.3.4 Quintessentially Events Corporate Entertainment Revenue (US$ Million) & (2018-2023)
5.3.5 WPP Recent Developments
5.4 WPP
5.4.1 WPP Profile
5.4.2 WPP Main Business
5.4.3 WPP Corporate Entertainment Products, Services and Solutions
5.4.4 WPP Corporate Entertainment Revenue (US$ Million) & (2018-2023)
5.4.5 WPP Recent Developments
5.5 Cvent
5.5.1 Cvent Profile
5.5.2 Cvent Main Business
5.5.3 Cvent Corporate Entertainment Products, Services and Solutions
5.5.4 Cvent Corporate Entertainment Revenue (US$ Million) & (2018-2023)
5.5.5 Cvent Recent Developments
5.6 Berkeley City Club
5.6.1 Berkeley City Club Profile
5.6.2 Berkeley City Club Main Business
5.6.3 Berkeley City Club Corporate Entertainment Products, Services and Solutions
5.6.4 Berkeley City Club Corporate Entertainment Revenue (US$ Million) & (2018-2023)
5.6.5 Berkeley City Club Recent Developments
5.7 Eventbrite
5.7.1 Eventbrite Profile
5.7.2 Eventbrite Main Business
5.7.3 Eventbrite Corporate Entertainment Products, Services and Solutions
5.7.4 Eventbrite Corporate Entertainment Revenue (US$ Million) & (2018-2023)
5.7.5 Eventbrite Recent Developments
5.8 Bassett Events
5.8.1 Bassett Events Profile
5.8.2 Bassett Events Main Business
5.8.3 Bassett Events Corporate Entertainment Products, Services and Solutions
5.8.4 Bassett Events Corporate Entertainment Revenue (US$ Million) & (2018-2023)
5.8.5 Bassett Events Recent Developments
5.9 XING
5.9.1 XING Profile
5.9.2 XING Main Business
5.9.3 XING Corporate Entertainment Products, Services and Solutions
5.9.4 XING Corporate Entertainment Revenue (US$ Million) & (2018-2023)
5.9.5 XING Recent Developments
5.10 Wizcraft
5.10.1 Wizcraft Profile
5.10.2 Wizcraft Main Business
5.10.3 Wizcraft Corporate Entertainment Products, Services and Solutions
5.10.4 Wizcraft Corporate Entertainment Revenue (US$ Million) & (2018-2023)
5.10.5 Wizcraft Recent Developments
6 North America
6.1 North America Corporate Entertainment Market Size by Country (2018-2029)
6.2 U.S.
6.3 Canada
7 Europe
7.1 Europe Corporate Entertainment Market Size by Country (2018-2029)
7.2 Germany
7.3 France
7.4 U.K.
7.5 Italy
7.6 Russia
7.7 Nordic Countries
7.8 Rest of Europe
8 Asia-Pacific
8.1 Asia-Pacific Corporate Entertainment Market Size by Region (2018-2029)
8.2 China
8.3 Japan
8.4 South Korea
8.5 Southeast Asia
8.6 India
8.7 Australia
8.8 Rest of Asia-Pacific
9 Latin America
9.1 Latin America Corporate Entertainment Market Size by Country (2018-2029)
9.2 Mexico
9.3 Brazil
9.4 Rest of Latin America
10 Middle East & Africa
10.1 Middle East & Africa Corporate Entertainment Market Size by Country (2018-2029)
10.2 Turkey
10.3 Saudi Arabia
10.4 UAE
10.5 Rest of Middle East & Africa
11 Corporate Entertainment Market Dynamics
11.1 Corporate Entertainment Industry Trends
11.2 Corporate Entertainment Market Drivers
11.3 Corporate Entertainment Market Challenges
11.4 Corporate Entertainment Market Restraints
12 Research Finding /Conclusion
13 Methodology and Data Source
13.1 Methodology/Research Approach
13.1.1 Research Programs/Design
13.1.2 Market Size Estimation
13.1.3 Market Breakdown and Data Triangulation
13.2 Data Source
13.2.1 Secondary Sources
13.2.2 Primary Sources
13.3 Disclaimer
13.4 Author List
Published By : QY Research
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