Index
1 Market Overview
1.1 Product Overview and Scope of Music Rights
1.2 Market Estimation Caveats and Base Year
1.3 Classification of Music Rights by Type
1.3.1 Overview: Global Music Rights Market Size by Type: 2018 Versus 2022 Versus 2029
1.3.2 Global Music Rights Consumption Value Market Share by Type in 2022
1.3.3 Record Company
1.3.4 Music Producers and Studios
1.3.5 Copyright Agent
1.3.6 Copyright Regulatory Department
1.4 Global Music Rights Market by Application
1.4.1 Overview: Global Music Rights Market Size by Application: 2018 Versus 2022 Versus 2029
1.4.2 Personal
1.4.3 Business
1.5 Global Music Rights Market Size & Forecast
1.6 Global Music Rights Market Size and Forecast by Region
1.6.1 Global Music Rights Market Size by Region: 2018 VS 2022 VS 2029
1.6.2 Global Music Rights Market Size by Region, (2018-2029)
1.6.3 North America Music Rights Market Size and Prospect (2018-2029)
1.6.4 Europe Music Rights Market Size and Prospect (2018-2029)
1.6.5 Asia-Pacific Music Rights Market Size and Prospect (2018-2029)
1.6.6 South America Music Rights Market Size and Prospect (2018-2029)
1.6.7 Middle East and Africa Music Rights Market Size and Prospect (2018-2029)
2 Company Profiles
2.1 Tencent Music
2.1.1 Tencent Music Details
2.1.2 Tencent Music Major Business
2.1.3 Tencent Music Music Rights Product and Solutions
2.1.4 Tencent Music Music Rights Revenue, Gross Margin and Market Share (2018-2023)
2.1.5 Tencent Music Recent Developments and Future Plans
2.2 NetEase Cloud Music
2.2.1 NetEase Cloud Music Details
2.2.2 NetEase Cloud Music Major Business
2.2.3 NetEase Cloud Music Music Rights Product and Solutions
2.2.4 NetEase Cloud Music Music Rights Revenue, Gross Margin and Market Share (2018-2023)
2.2.5 NetEase Cloud Music Recent Developments and Future Plans
2.3 Sony Music
2.3.1 Sony Music Details
2.3.2 Sony Music Major Business
2.3.3 Sony Music Music Rights Product and Solutions
2.3.4 Sony Music Music Rights Revenue, Gross Margin and Market Share (2018-2023)
2.3.5 Sony Music Recent Developments and Future Plans
2.4 Universal Music
2.4.1 Universal Music Details
2.4.2 Universal Music Major Business
2.4.3 Universal Music Music Rights Product and Solutions
2.4.4 Universal Music Music Rights Revenue, Gross Margin and Market Share (2018-2023)
2.4.5 Universal Music Recent Developments and Future Plans
2.5 Warner Music
2.5.1 Warner Music Details
2.5.2 Warner Music Major Business
2.5.3 Warner Music Music Rights Product and Solutions
2.5.4 Warner Music Music Rights Revenue, Gross Margin and Market Share (2018-2023)
2.5.5 Warner Music Recent Developments and Future Plans
2.6 Taihe Music
2.6.1 Taihe Music Details
2.6.2 Taihe Music Major Business
2.6.3 Taihe Music Music Rights Product and Solutions
2.6.4 Taihe Music Music Rights Revenue, Gross Margin and Market Share (2018-2023)
2.6.5 Taihe Music Recent Developments and Future Plans
2.7 Rock Records
2.7.1 Rock Records Details
2.7.2 Rock Records Major Business
2.7.3 Rock Records Music Rights Product and Solutions
2.7.4 Rock Records Music Rights Revenue, Gross Margin and Market Share (2018-2023)
2.7.5 Rock Records Recent Developments and Future Plans
2.8 HIM International Music
2.8.1 HIM International Music Details
2.8.2 HIM International Music Major Business
2.8.3 HIM International Music Music Rights Product and Solutions
2.8.4 HIM International Music Music Rights Revenue, Gross Margin and Market Share (2018-2023)
2.8.5 HIM International Music Recent Developments and Future Plans
2.9 MODERN SKY
2.9.1 MODERN SKY Details
2.9.2 MODERN SKY Major Business
2.9.3 MODERN SKY Music Rights Product and Solutions
2.9.4 MODERN SKY Music Rights Revenue, Gross Margin and Market Share (2018-2023)
2.9.5 MODERN SKY Recent Developments and Future Plans
2.10 Fenghua Qiushi
2.10.1 Fenghua Qiushi Details
2.10.2 Fenghua Qiushi Major Business
2.10.3 Fenghua Qiushi Music Rights Product and Solutions
2.10.4 Fenghua Qiushi Music Rights Revenue, Gross Margin and Market Share (2018-2023)
2.10.5 Fenghua Qiushi Recent Developments and Future Plans
3 Market Competition, by Players
3.1 Global Music Rights Revenue and Share by Players (2018-2023)
3.2 Market Share Analysis (2022)
3.2.1 Market Share of Music Rights by Company Revenue
3.2.2 Top 3 Music Rights Players Market Share in 2022
3.2.3 Top 6 Music Rights Players Market Share in 2022
3.3 Music Rights Market: Overall Company Footprint Analysis
3.3.1 Music Rights Market: Region Footprint
3.3.2 Music Rights Market: Company Product Type Footprint
3.3.3 Music Rights Market: Company Product Application Footprint
3.4 New Market Entrants and Barriers to Market Entry
3.5 Mergers, Acquisition, Agreements, and Collaborations
4 Market Size Segment by Type
4.1 Global Music Rights Consumption Value and Market Share by Type (2018-2023)
4.2 Global Music Rights Market Forecast by Type (2024-2029)
5 Market Size Segment by Application
5.1 Global Music Rights Consumption Value Market Share by Application (2018-2023)
5.2 Global Music Rights Market Forecast by Application (2024-2029)
6 North America
6.1 North America Music Rights Consumption Value by Type (2018-2029)
6.2 North America Music Rights Consumption Value by Application (2018-2029)
6.3 North America Music Rights Market Size by Country
6.3.1 North America Music Rights Consumption Value by Country (2018-2029)
6.3.2 United States Music Rights Market Size and Forecast (2018-2029)
6.3.3 Canada Music Rights Market Size and Forecast (2018-2029)
6.3.4 Mexico Music Rights Market Size and Forecast (2018-2029)
7 Europe
7.1 Europe Music Rights Consumption Value by Type (2018-2029)
7.2 Europe Music Rights Consumption Value by Application (2018-2029)
7.3 Europe Music Rights Market Size by Country
7.3.1 Europe Music Rights Consumption Value by Country (2018-2029)
7.3.2 Germany Music Rights Market Size and Forecast (2018-2029)
7.3.3 France Music Rights Market Size and Forecast (2018-2029)
7.3.4 United Kingdom Music Rights Market Size and Forecast (2018-2029)
7.3.5 Russia Music Rights Market Size and Forecast (2018-2029)
7.3.6 Italy Music Rights Market Size and Forecast (2018-2029)
8 Asia-Pacific
8.1 Asia-Pacific Music Rights Consumption Value by Type (2018-2029)
8.2 Asia-Pacific Music Rights Consumption Value by Application (2018-2029)
8.3 Asia-Pacific Music Rights Market Size by Region
8.3.1 Asia-Pacific Music Rights Consumption Value by Region (2018-2029)
8.3.2 China Music Rights Market Size and Forecast (2018-2029)
8.3.3 Japan Music Rights Market Size and Forecast (2018-2029)
8.3.4 South Korea Music Rights Market Size and Forecast (2018-2029)
8.3.5 India Music Rights Market Size and Forecast (2018-2029)
8.3.6 Southeast Asia Music Rights Market Size and Forecast (2018-2029)
8.3.7 Australia Music Rights Market Size and Forecast (2018-2029)
9 South America
9.1 South America Music Rights Consumption Value by Type (2018-2029)
9.2 South America Music Rights Consumption Value by Application (2018-2029)
9.3 South America Music Rights Market Size by Country
9.3.1 South America Music Rights Consumption Value by Country (2018-2029)
9.3.2 Brazil Music Rights Market Size and Forecast (2018-2029)
9.3.3 Argentina Music Rights Market Size and Forecast (2018-2029)
10 Middle East & Africa
10.1 Middle East & Africa Music Rights Consumption Value by Type (2018-2029)
10.2 Middle East & Africa Music Rights Consumption Value by Application (2018-2029)
10.3 Middle East & Africa Music Rights Market Size by Country
10.3.1 Middle East & Africa Music Rights Consumption Value by Country (2018-2029)
10.3.2 Turkey Music Rights Market Size and Forecast (2018-2029)
10.3.3 Saudi Arabia Music Rights Market Size and Forecast (2018-2029)
10.3.4 UAE Music Rights Market Size and Forecast (2018-2029)
11 Market Dynamics
11.1 Music Rights Market Drivers
11.2 Music Rights Market Restraints
11.3 Music Rights Trends Analysis
11.4 Porters Five Forces Analysis
11.4.1 Threat of New Entrants
11.4.2 Bargaining Power of Suppliers
11.4.3 Bargaining Power of Buyers
11.4.4 Threat of Substitutes
11.4.5 Competitive Rivalry
11.5 Influence of COVID-19 and Russia-Ukraine War
11.5.1 Influence of COVID-19
11.5.2 Influence of Russia-Ukraine War
12 Industry Chain Analysis
12.1 Music Rights Industry Chain
12.2 Music Rights Upstream Analysis
12.3 Music Rights Midstream Analysis
12.4 Music Rights Downstream Analysis
13 Research Findings and Conclusion
14 Appendix
14.1 Methodology
14.2 Research Process and Data Source
14.3 Disclaimer