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Recorded Music-Global Market Insights and Sales Trends 2025
Synopsis
The global Recorded Music market size is expected to reach US$ million by 2029, growing at a CAGR of % from 2023 to 2029. The market is mainly driven by the significant applications of Recorded Music in various end use industries. The expanding demands from the Recreational Activities, Personal, Commercial and Social, are propelling Recorded Music market. CD Record, one of the segments analysed in this report, is projected to record % CAGR and reach US$ million by the end of the analysis period. Growth in the Tape Record segment is estimated at % CAGR for the next seven-year period.
Asia Pacific shows high growth potential for Recorded Music market, driven by demand from China, the second largest economy with some signs of stabilising, the Recorded Music market in China is forecast to reach US$ million by 2029, trailing a CAGR of % over the 2023-2029 period, while the U.S. market will reach US$ million by 2029, exhibiting a CAGR of % during the same period.
Report Objectives
This report provides market insight on the different segments, by players, by Type, by Application. Market size and forecast (2018-2029) has been provided in the report. The primary objectives of this report are to provide 1) global market size and forecasts, growth rates, market dynamics, industry structure and developments, market situation, trends; 2) global market share and ranking by company; 3) comprehensive presentation of the global market for Recorded Music, with both quantitative and qualitative analysis through detailed segmentation; 4) detailed value chain analysis and review of growth factors essential for the existing market players and new entrants; 5) emerging opportunities in the market and the future impact of major drivers and restraints of the market.
Key Features of The Study:
This report provides in-depth analysis of the global Recorded Music market, and provides market size (US$ million) and CAGR for the forecast period (2023-2029), considering 2022 as the base year.
This report profiles key players in the global Recorded Music market based on the following parameters - company details (found date, headquarters, manufacturing bases), products portfolio, Recorded Music sales data, market share and ranking.
This report elucidates potential market opportunities across different segments and explains attractive investment proposition matrices for this market.
This report illustrates key insights about market drivers, restraints, opportunities, market trends, regional outlook.
Key companies of Recorded Music covered in this report include Warner Music, Universal Music, Sony Music Entertainment, LangVan, Master Music, De Plein Vent Studio, China Record Company, Lifesong Records and King Record, etc.
The global Recorded Music market report caters to various stakeholders in this industry including investors, suppliers, product players, distributors, new entrants, and financial analysts.
Market Segmentation
Company Profiles:
Warner Music
Universal Music
Sony Music Entertainment
LangVan
Master Music
De Plein Vent Studio
China Record Company
Lifesong Records
King Record
Nippon Crown Co Ltd
Tokuma Japan Communications
HNH International
BBS Records Limited
MPO International
Global Recorded Music market, by region:
North America (U.S., Canada, Mexico)
Europe (Germany, France, UK, Italy, etc.)
Asia Pacific (China, Japan, South Korea, Southeast Asia, India, etc.)
South America (Brazil, etc.)
Middle East and Africa (Turkey, GCC Countries, Africa, etc.)
Global Recorded Music market, Segment by Type:
CD Record
Tape Record
Optical Sound Record
Other
Global Recorded Music market, by Application
Recreational Activities
Personal
Commercial
Social
Core Chapters
Chapter One: Introduces the report scope of the report, executive summary of global and regional market size and CAGR for the history and forecast period (2018-2023, 2024-2029). It offers a high-level view of the current state of the market and its likely evolution in the short to mid-term, and long term.
Chapter Two: Provides the analysis of various market segments by Type, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different market segments.
Chapter Three: Provides the analysis of various market segments by Application, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.
Chapter Four: Detailed analysis of Recorded Music companies’ competitive landscape, revenue, market share and ranking, latest development plan, merger, and acquisition information, etc.
Chapter Five: Provides profiles of key players, introducing the basic situation of the main companies in the market in detail, including product introduction, revenue, recent development, etc.
Chapter Six, Seven, Eight, Nine and Ten: North America, Europe, Asia Pacific, Latin America, Middle East & Africa, revenue by country.
Chapter Eleven: this section also introduces the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by companies in the industry, and the analysis of relevant policies in the industry.
Chapter Twelve: Research Finding/Conclusion
The global Recorded Music market size is expected to reach US$ million by 2029, growing at a CAGR of % from 2023 to 2029. The market is mainly driven by the significant applications of Recorded Music in various end use industries. The expanding demands from the Recreational Activities, Personal, Commercial and Social, are propelling Recorded Music market. CD Record, one of the segments analysed in this report, is projected to record % CAGR and reach US$ million by the end of the analysis period. Growth in the Tape Record segment is estimated at % CAGR for the next seven-year period.
Asia Pacific shows high growth potential for Recorded Music market, driven by demand from China, the second largest economy with some signs of stabilising, the Recorded Music market in China is forecast to reach US$ million by 2029, trailing a CAGR of % over the 2023-2029 period, while the U.S. market will reach US$ million by 2029, exhibiting a CAGR of % during the same period.
Report Objectives
This report provides market insight on the different segments, by players, by Type, by Application. Market size and forecast (2018-2029) has been provided in the report. The primary objectives of this report are to provide 1) global market size and forecasts, growth rates, market dynamics, industry structure and developments, market situation, trends; 2) global market share and ranking by company; 3) comprehensive presentation of the global market for Recorded Music, with both quantitative and qualitative analysis through detailed segmentation; 4) detailed value chain analysis and review of growth factors essential for the existing market players and new entrants; 5) emerging opportunities in the market and the future impact of major drivers and restraints of the market.
Key Features of The Study:
This report provides in-depth analysis of the global Recorded Music market, and provides market size (US$ million) and CAGR for the forecast period (2023-2029), considering 2022 as the base year.
This report profiles key players in the global Recorded Music market based on the following parameters - company details (found date, headquarters, manufacturing bases), products portfolio, Recorded Music sales data, market share and ranking.
This report elucidates potential market opportunities across different segments and explains attractive investment proposition matrices for this market.
This report illustrates key insights about market drivers, restraints, opportunities, market trends, regional outlook.
Key companies of Recorded Music covered in this report include Warner Music, Universal Music, Sony Music Entertainment, LangVan, Master Music, De Plein Vent Studio, China Record Company, Lifesong Records and King Record, etc.
The global Recorded Music market report caters to various stakeholders in this industry including investors, suppliers, product players, distributors, new entrants, and financial analysts.
Market Segmentation
Company Profiles:
Warner Music
Universal Music
Sony Music Entertainment
LangVan
Master Music
De Plein Vent Studio
China Record Company
Lifesong Records
King Record
Nippon Crown Co Ltd
Tokuma Japan Communications
HNH International
BBS Records Limited
MPO International
Global Recorded Music market, by region:
North America (U.S., Canada, Mexico)
Europe (Germany, France, UK, Italy, etc.)
Asia Pacific (China, Japan, South Korea, Southeast Asia, India, etc.)
South America (Brazil, etc.)
Middle East and Africa (Turkey, GCC Countries, Africa, etc.)
Global Recorded Music market, Segment by Type:
CD Record
Tape Record
Optical Sound Record
Other
Global Recorded Music market, by Application
Recreational Activities
Personal
Commercial
Social
Core Chapters
Chapter One: Introduces the report scope of the report, executive summary of global and regional market size and CAGR for the history and forecast period (2018-2023, 2024-2029). It offers a high-level view of the current state of the market and its likely evolution in the short to mid-term, and long term.
Chapter Two: Provides the analysis of various market segments by Type, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different market segments.
Chapter Three: Provides the analysis of various market segments by Application, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.
Chapter Four: Detailed analysis of Recorded Music companies’ competitive landscape, revenue, market share and ranking, latest development plan, merger, and acquisition information, etc.
Chapter Five: Provides profiles of key players, introducing the basic situation of the main companies in the market in detail, including product introduction, revenue, recent development, etc.
Chapter Six, Seven, Eight, Nine and Ten: North America, Europe, Asia Pacific, Latin America, Middle East & Africa, revenue by country.
Chapter Eleven: this section also introduces the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by companies in the industry, and the analysis of relevant policies in the industry.
Chapter Twelve: Research Finding/Conclusion
Index1 Market Overview of Recorded Music
1.1 Recorded Music Market Overview
1.1.1 Recorded Music Product Scope
1.1.2 Recorded Music Market Status and Outlook
1.2 Global Recorded Music Market Size Overview by Region 2018 VS 2022 VS 2029
1.3 Global Recorded Music Market Size by Region (2018-2029)
1.4 Global Recorded Music Historic Market Size by Region (2018-2023)
1.5 Global Recorded Music Market Size Forecast by Region (2024-2029)
1.6 Key Regions, Recorded Music Market Size (2018-2029)
1.6.1 North America Recorded Music Market Size (2018-2029)
1.6.2 Europe Recorded Music Market Size (2018-2029)
1.6.3 Asia-Pacific Recorded Music Market Size (2018-2029)
1.6.4 Latin America Recorded Music Market Size (2018-2029)
1.6.5 Middle East & Africa Recorded Music Market Size (2018-2029)
2 Recorded Music Market by Type
2.1 Introduction
2.1.1 CD Record
2.1.2 Tape Record
2.1.3 Optical Sound Record
2.1.4 Other
2.2 Global Recorded Music Market Size by Type: 2018 VS 2022 VS 2029
2.2.1 Global Recorded Music Historic Market Size by Type (2018-2023)
2.2.2 Global Recorded Music Forecasted Market Size by Type (2024-2029)
2.3 Key Regions Market Size by Type
2.3.1 North America Recorded Music Revenue Breakdown by Type (2018-2029)
2.3.2 Europe Recorded Music Revenue Breakdown by Type (2018-2029)
2.3.3 Asia-Pacific Recorded Music Revenue Breakdown by Type (2018-2029)
2.3.4 Latin America Recorded Music Revenue Breakdown by Type (2018-2029)
2.3.5 Middle East and Africa Recorded Music Revenue Breakdown by Type (2018-2029)
3 Recorded Music Market Overview by Application
3.1 Introduction
3.1.1 Recreational Activities
3.1.2 Personal
3.1.3 Commercial
3.1.4 Social
3.2 Global Recorded Music Market Size by Application: 2018 VS 2022 VS 2029
3.2.1 Global Recorded Music Historic Market Size by Application (2018-2023)
3.2.2 Global Recorded Music Forecasted Market Size by Application (2024-2029)
3.3 Key Regions Market Size by Application
3.3.1 North America Recorded Music Revenue Breakdown by Application (2018-2029)
3.3.2 Europe Recorded Music Revenue Breakdown by Application (2018-2029)
3.3.3 Asia-Pacific Recorded Music Revenue Breakdown by Application (2018-2029)
3.3.4 Latin America Recorded Music Revenue Breakdown by Application (2018-2029)
3.3.5 Middle East and Africa Recorded Music Revenue Breakdown by Application (2018-2029)
4 Recorded Music Competition Analysis by Players
4.1 Global Recorded Music Market Size by Players (2018-2023)
4.2 Global Top Players by Company Type (Tier 1, Tier 2 and Tier 3) & (based on the Revenue in Recorded Music as of 2022)
4.3 Date of Key Players Enter into Recorded Music Market
4.4 Global Top Players Recorded Music Headquarters and Area Served
4.5 Key Players Recorded Music Product Solution and Service
4.6 Competitive Status
4.6.1 Recorded Music Market Concentration Rate
4.6.2 Mergers & Acquisitions, Expansion Plans
5 Company (Top Players) Profiles
5.1 Warner Music
5.1.1 Warner Music Profile
5.1.2 Warner Music Main Business
5.1.3 Warner Music Recorded Music Products, Services and Solutions
5.1.4 Warner Music Recorded Music Revenue (US$ Million) & (2018-2023)
5.1.5 Warner Music Recent Developments
5.2 Universal Music
5.2.1 Universal Music Profile
5.2.2 Universal Music Main Business
5.2.3 Universal Music Recorded Music Products, Services and Solutions
5.2.4 Universal Music Recorded Music Revenue (US$ Million) & (2018-2023)
5.2.5 Universal Music Recent Developments
5.3 Sony Music Entertainment
5.3.1 Sony Music Entertainment Profile
5.3.2 Sony Music Entertainment Main Business
5.3.3 Sony Music Entertainment Recorded Music Products, Services and Solutions
5.3.4 Sony Music Entertainment Recorded Music Revenue (US$ Million) & (2018-2023)
5.3.5 LangVan Recent Developments
5.4 LangVan
5.4.1 LangVan Profile
5.4.2 LangVan Main Business
5.4.3 LangVan Recorded Music Products, Services and Solutions
5.4.4 LangVan Recorded Music Revenue (US$ Million) & (2018-2023)
5.4.5 LangVan Recent Developments
5.5 Master Music
5.5.1 Master Music Profile
5.5.2 Master Music Main Business
5.5.3 Master Music Recorded Music Products, Services and Solutions
5.5.4 Master Music Recorded Music Revenue (US$ Million) & (2018-2023)
5.5.5 Master Music Recent Developments
5.6 De Plein Vent Studio
5.6.1 De Plein Vent Studio Profile
5.6.2 De Plein Vent Studio Main Business
5.6.3 De Plein Vent Studio Recorded Music Products, Services and Solutions
5.6.4 De Plein Vent Studio Recorded Music Revenue (US$ Million) & (2018-2023)
5.6.5 De Plein Vent Studio Recent Developments
5.7 China Record Company
5.7.1 China Record Company Profile
5.7.2 China Record Company Main Business
5.7.3 China Record Company Recorded Music Products, Services and Solutions
5.7.4 China Record Company Recorded Music Revenue (US$ Million) & (2018-2023)
5.7.5 China Record Company Recent Developments
5.8 Lifesong Records
5.8.1 Lifesong Records Profile
5.8.2 Lifesong Records Main Business
5.8.3 Lifesong Records Recorded Music Products, Services and Solutions
5.8.4 Lifesong Records Recorded Music Revenue (US$ Million) & (2018-2023)
5.8.5 Lifesong Records Recent Developments
5.9 King Record
5.9.1 King Record Profile
5.9.2 King Record Main Business
5.9.3 King Record Recorded Music Products, Services and Solutions
5.9.4 King Record Recorded Music Revenue (US$ Million) & (2018-2023)
5.9.5 King Record Recent Developments
5.10 Nippon Crown Co Ltd
5.10.1 Nippon Crown Co Ltd Profile
5.10.2 Nippon Crown Co Ltd Main Business
5.10.3 Nippon Crown Co Ltd Recorded Music Products, Services and Solutions
5.10.4 Nippon Crown Co Ltd Recorded Music Revenue (US$ Million) & (2018-2023)
5.10.5 Nippon Crown Co Ltd Recent Developments
5.11 Tokuma Japan Communications
5.11.1 Tokuma Japan Communications Profile
5.11.2 Tokuma Japan Communications Main Business
5.11.3 Tokuma Japan Communications Recorded Music Products, Services and Solutions
5.11.4 Tokuma Japan Communications Recorded Music Revenue (US$ Million) & (2018-2023)
5.11.5 Tokuma Japan Communications Recent Developments
5.12 HNH International
5.12.1 HNH International Profile
5.12.2 HNH International Main Business
5.12.3 HNH International Recorded Music Products, Services and Solutions
5.12.4 HNH International Recorded Music Revenue (US$ Million) & (2018-2023)
5.12.5 HNH International Recent Developments
5.13 BBS Records Limited
5.13.1 BBS Records Limited Profile
5.13.2 BBS Records Limited Main Business
5.13.3 BBS Records Limited Recorded Music Products, Services and Solutions
5.13.4 BBS Records Limited Recorded Music Revenue (US$ Million) & (2018-2023)
5.13.5 BBS Records Limited Recent Developments
5.14 MPO International
5.14.1 MPO International Profile
5.14.2 MPO International Main Business
5.14.3 MPO International Recorded Music Products, Services and Solutions
5.14.4 MPO International Recorded Music Revenue (US$ Million) & (2018-2023)
5.14.5 MPO International Recent Developments
6 North America
6.1 North America Recorded Music Market Size by Country (2018-2029)
6.2 U.S.
6.3 Canada
7 Europe
7.1 Europe Recorded Music Market Size by Country (2018-2029)
7.2 Germany
7.3 France
7.4 U.K.
7.5 Italy
7.6 Russia
7.7 Nordic Countries
7.8 Rest of Europe
8 Asia-Pacific
8.1 Asia-Pacific Recorded Music Market Size by Region (2018-2029)
8.2 China
8.3 Japan
8.4 South Korea
8.5 Southeast Asia
8.6 India
8.7 Australia
8.8 Rest of Asia-Pacific
9 Latin America
9.1 Latin America Recorded Music Market Size by Country (2018-2029)
9.2 Mexico
9.3 Brazil
9.4 Rest of Latin America
10 Middle East & Africa
10.1 Middle East & Africa Recorded Music Market Size by Country (2018-2029)
10.2 Turkey
10.3 Saudi Arabia
10.4 UAE
10.5 Rest of Middle East & Africa
11 Recorded Music Market Dynamics
11.1 Recorded Music Industry Trends
11.2 Recorded Music Market Drivers
11.3 Recorded Music Market Challenges
11.4 Recorded Music Market Restraints
12 Research Finding /Conclusion
13 Methodology and Data Source
13.1 Methodology/Research Approach
13.1.1 Research Programs/Design
13.1.2 Market Size Estimation
13.1.3 Market Breakdown and Data Triangulation
13.2 Data Source
13.2.1 Secondary Sources
13.2.2 Primary Sources
13.3 Disclaimer
13.4 Author List
Published By : QY Research
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