The Market Reports

Synopsis
The global market for Broadcast Monitor was estimated to be worth US$ 313 million in 2024 and is forecast to a readjusted size of US$ 518 million by 2031 with a CAGR of 7.2% during the forecast period 2025-2031.
This report provides a comprehensive assessment of recent tariff adjustments and international strategic countermeasures on Broadcast Monitor cross-border industrial footprints, capital allocation patterns, regional economic interdependencies, and supply chain reconfigurations.
Broadcast Monitor is a display device similar to a television set, used to monitor the output of a video-generating device, such as playout from a video server, IRD, video camera, VCR, or DVD player. It may or may not have professional audio monitoring capability. Unlike a television set, a video monitor has no tuner (television) and, as such, is unable independently to tune into an over-the-air broadcast like a television receiver. One common use of video monitors is in television stations, television studios, production trucks and in outside broadcast vehicles, where broadcast engineers use them for confidence checking of analog signal and digital signals throughout the system.
Key drivers of the broadcast monitor market include the growth in video content demand, technological advancements, and changes in production environments. The increasing requirements for high-definition and color accuracy in film and television production are driving demand for advanced display equipment. The adoption of 4K and 8K resolutions and HDR technology is prompting monitor manufacturers to enhance their products to meet higher standards. Additionally, the rise of virtual production and real-time image processing demands more powerful and precise display capabilities. The expansion of streaming and online content creation further amplifies the need for professional-grade monitors in the media industry.
The key manufacturers are Sony, JVC, Ikegami, Marshall, TVLogic, Canon, Lilliput, Blackmagic Design, ToteVision, Bon Monitors, Datavideo, Ruige, Laizeske, SEETEC, Wohler, Astro Design etc. Top 10 companies occupied more than 58% market share.
This report aims to provide a comprehensive presentation of the global market for Broadcast Monitor, focusing on the total sales volume, sales revenue, price, key companies market share and ranking, together with an analysis of Broadcast Monitor by region & country, by Type, and by End User.
The Broadcast Monitor market size, estimations, and forecasts are provided in terms of sales volume (K Units) and sales revenue ($ millions), considering 2024 as the base year, with history and forecast data for the period from 2020 to 2031. With both quantitative and qualitative analysis, to help readers develop business/growth strategies, assess the market competitive situation, analyze their position in the current marketplace, and make informed business decisions regarding Broadcast Monitor.
Market Segmentation
By Company
Sony
SmallHD (Videndum)
Seetec
JVC
EIZO
Ikegami
Lilliput
Ruige
Canon
Blackmagic Design
SWIT Electronics
Plura Inc.
Postium
Boland Communication
ToteVision
Vidente (TVLogic)
Marshall
Bon Monitors
Datavideo
Shenzhen Zunzheng FSI
Konvision
Wohler
Astro Design
Desview
Segment by Type
HD Monitors
4K/8K Monitors
Segment by End User
Studio Use
Field Use
By Region
North America
United States
Canada
Asia-Pacific
China
Japan
South Korea
Southeast Asia
India
Australia
Rest of Asia-Pacific
Europe
Germany
France
U.K.
Italy
Netherlands
Nordic Countries
Rest of Europe
Latin America
Mexico
Brazil
Rest of Latin America
Middle East & Africa
Turkey
Saudi Arabia
UAE
Rest of MEA
Chapter Outline
Chapter 1: Introduces the report scope of the report, global total market size (value, volume and price). This chapter also provides the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by manufacturers in the industry, and the analysis of relevant policies in the industry.
Chapter 2: Detailed analysis of Broadcast Monitor manufacturers competitive landscape, price, sales and revenue market share, latest development plan, merger, and acquisition information, etc.
Chapter 3: Provides the analysis of various market segments by Type, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different market segments.
Chapter 4: Provides the analysis of various market segments by End User, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.
Chapter 5: Sales, revenue of Broadcast Monitor in regional level. It provides a quantitative analysis of the market size and development potential of each region and introduces the market development, future development prospects, market space, and market size of each country in the world.
Chapter 6: Sales, revenue of Broadcast Monitor in country level. It provides sigmate data by Type, and by End User for each country/region.
Chapter 7: Provides profiles of key players, introducing the basic situation of the main companies in the market in detail, including product sales, revenue, price, gross margin, product introduction, recent development, etc.
Chapter 8: Analysis of industrial chain, including the upstream and downstream of the industry.
Chapter 9: Conclusion.

Index